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(September 1979 - January 1980)
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After
the success of the world tour, and the completion of her work on the soon
to be released film, "The Rose," Bette decided to hit the boards
once again in a new show entitled, "Bette! Divine Madness." The
act was comprised of classic material that fans had grown to love, along
with monologues and jokes about her previous tour around the world, as
well as some new material from her latest album, "Thighs And
Whispers." The show started in September of 1979 and traveled all
over the United States, finally coming to a triumphant close at New York's
Majestic Theatre in early January of 1980. The film, "The Rose,"
was released during the middle of the tour, which attracted many new fans
to the later shows.
Audiences were treated to a segment dedicated to the film in which
Bette sang "The Rose," the showstopper "Stay With Me,"
as well as other tunes from the film. She brought back Delores Delago, who
had become a huge hit during the world tour,
and the Magic Lady with an updated routine.
Highlights of the show included Bette's extravagant opening number,
"Big Noise From Winnetka," featuring Bette dressed as a peacock
waving her tail feathers, and a beautiful rendition of James Taylor's,
"Millworker." One of the most outstanding parts of the show,
however, was Bette's new version of "I Shall Be Released," which
began with a few bars of the Rolling Stones' song, "You Can't Always
Get What You Want." The show was a huge success and showcased Bette's
immense talent.
Bette would lose her voice in some shows, but she more than made up
for it with her unbridled energy and raw emotions. She was purely
unstoppable!
The tour was so successful that it inspired a concert film by the
same name.
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SET
LIST BASED ON THE PERFORMANCE OF:
December 30, 1979 - The Majestic Theatre - New York, NY
Big Noise From Winnetka
(Gil Rodin, Bob Crosby, Bob Haggart, Ray Bauduc)
Paradise
(Perry
Botkin, Jr., Gil Garfield, Harry
Nilsson)
L.A / N.Y Monologue
Millworker
(James Taylor)
In The Mood
(Joe Garland, Andy
Razaf)
World Tour Chat
The Rose
(Amanda
McBroom)
Sold My Soul To Rock And Roll
(Gene
Pistilli)
Stay With Me
(Jerry
Ragaovy, George Weiss)
Delores Delago's Revue Tropical
Delores Intro
Trouble In Tahiti / There's Nothing Like A
Dame
(Leonard
Bernstein / Richard Rodgers, Oscar Hammerstien)
Moon Of Manakoora
(Frank Loesser, Alfred Newman)
South Seas Scene
/ Hawaiian War Chant
(Rik Carlok / Ralph Freed, Leleiohaku, Johnny
Nobel)
Poi Balling With Delores
Chapel Of Love / Married Men
(J. Barry,
E.Greenwich, P. Spector / D. Bugatti, F. Musker)
Hurricane
(Bette Midler, Randy Kerber)
Tales Of Sophie Tucker
The Magic Lady
Rainbow Sleeve
(Tom Waits)
The Magic Ladies Dance
Rain
(Mac
Rebenack)
The Lady And The Bird
Martha
(Tom Waits)
Ready To Begin Again / Do You Want To Dance
(Jerry
Leiber, Mike Stoller / Bobby Freeman)
You Can't Always Get What You Want
/
(Mick Jagger,
Keith Richards)
I Shall Be Released
(Bob Dylan)
Boogie Woogie Bugle Boy
(Don
Raye, Hughie Prince)
Thanks For Coming
Friends
(Mark Klingman, Buzzy
Linhart)
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=
audio
performance Titles
in
italic
=
Monologue / Spoken Dialogue
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The above set list is
based on a specific performance at "The
Continental Baths" and does not necessarily represent all shows
performed during this tour.
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additions would be extremely appreciated
September
17, 1979
September 18, 1979
September 19, 1979
September 20, 1979
September 21, 1979
September 22, 1979
September 23, 1979
September 24, 1979
September 27, 1979
September 28, 1979
September 29, 1979
December 5, 1979
December 6, 1979
December 7, 1979
December 8, 1979 (2)
December 9, 1979
December 10, 1979
December 11, 1979
December 12, 1979
December 13, 1979
December 14, 1979
December 15, 1979 (2)
December 16, 1979
December 17, 1979
December 18, 1979
December 19, 1979
December 20, 1979
December 21, 1979
December 22, 1979 (2)
December 23, 1979
December 24, 1979
December 26, 1979
December 27, 1979
December 28, 1979
December 29, 1979 (2)
December 30, 1979
December 31, 1979
January 2, 1980
January 3, 1980
January 4, 1980
January 5, 1980 (2)
January 6, 1980 |
The
Greek Theatre
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Pine Knob Music Theatre
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The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
The Majestic Theatre
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The Majestic Theatre
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The Majestic Theatre
The Majestic Theatre |
Los
Angeles, CA
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Detroit, MI
Detroit, MI
Detroit, MI
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
New York City, NY
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(2) = Two shows performed |

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Tina Clarke:
Detroit Free
Press - September 29, 1979
Bette
Midler delighted her Pine Knob audience Thursday night with an evening of
"sleaze beneath the stars." Dressed as a bird of paradise,
she was the consummate performance - both an exciting songstress and a
very able comedian. Although this was her first appearance in the Detroit
area in a few years, she evidently did her homework, providing the
audience with a steady stream of regional jokes. Hardly a Detroit suburb
went unscathed. Troy? "A nice quiet place - you can't
even get an envelope to stay open after 9 p.m." Gross Pointe?
"Vogue on the outside, vague on the inside." Miss Midler's
repertoire and style have changed some in the last few years. The
dazzling sets and extensive costume changes of the past have been pared
down to reveal a more candid and spontaneous Midler. From one song
to the next, the mood changed. After singing a quietly beautiful
James Taylor song, "Millworker," she shifted right into her
swinging version of "In The Mood," following it with the torch
song from her upcoming film, "The Rose." But the old Bette
Midler forte remained, combining trashy humor and pathos to give the
audience a glimpse of the underside of life. As always, she forced
the audience to respond, whether they laughed or cried. A new
highlight was the addition of a tall, sensuous male dancer. Shabodo
provided a beautiful counterpoint for Midler during her new Disco Tune,
"You Blow Me Away," and took an already fast-moving and frenzied
"Boogie Woogie Bugle Boy" to breakneck speed. Bette Midler
delivered the "trash with clash" in an offbeat and outrageous
way. Some may have found it tasteless (it wasn't), but one can
safely say no one found it forgettable.
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