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The Tonight Show 
March 26, 1971 

GUESTS

Bette Midler, Rodney Dangerfield, Dr. Paul Ehrlich 

PROGRAM TIME

11:30 p.m. to 1:00 a.m.

INTERVIEW TRANSCRIPT

The footage from this appearance apparently no longer exists.  However, thanks to a very clever fan back in the early days, an audio recording made from the television broadcast does remain.  Although that recording can not be shared here on this website, below you will find a written transcript from this appearance documenting what was said and performed during this show.

Johnny Carson
(italic text is based on intro card)
Here on The Tonight Show, we never spare any expense when it comes to our good friend Bette Midler.  When she joined us in Hollywood, we had six dancers and had a whole production number, circa . . . what . . . 1930 or something for Bette Midler .  Tonight we arranged for a special set to be flown in, but it blew up on the way or something  . . . but here it is anyway.  Would you please welcome . . . Bette Midler.  

Bette Midler The Continental
(Herb Magidson, Con Conrad)

Beautiful music
Dangerous rhythm

It's something daring, the Continental
A way of dancing that's really ultra new
It's very subtle, the Continental
Because it does what you want it to do

It has a passion, the Continental
An invitation to moonlight and romance
It's quite the fashion, the Continental
Because you tell of your love while you dance

Your lips whisper so tenderly
His eyes answer your song

Two bodies swaying, the Continental,
And you are saying just what you're thinking of
So keep on doing the Continental
For it's the dance of romance and of love

Kiss while you're dancing
The Continental it's continental
Sing while you're dancing
Your voice is gentle, mmm sentimental

You'll know before the night is through
That you're in love with him and
He's in love with you

You'll find while you're dancing
That there's a rhythm in your heart and soul
A certain rhythm that you can't control
And you will do the Continental all the time

Beautiful music
Dangerous rhythm

You'll know before the night is through
That you're in love with him and
He's in love with you

Oh, you'll find while you're dancing
That there's a rhythm in your heart and soul
A certain rhythm that you can't control
And you will do the Continental all the time

Oh, beautiful music
Dangerous rhythm
The Continental!


Johnny Carson How are you doing?

Bette Midler Well, that is not the question, the question's how are you?

Johnny Carson I'm fine.  I'm fine.  

Bette Midler Oh, I'm glad to hear it.  Thank you.  Oh, that set!  I felt like a Busby Berkeley reject.  

Johnny Carson Were you suppose to be on it when it came around the first time, or were you late?

Bette Midler No!  That was the way it was suppose to be.  

Johnny Carson Oh.

Bette Midler I was there.  You just couldn't see me for the foliage.  

Johnny Carson I see.

Bette Midler But I loved it.  

Johnny Carson That was designed by our a-set designer Merrill Sindler.

Bette Midler Oh Merrill is wonderful, yes.

Johnny Carson I thought you were suppose to be on the chair, you didn't show up yet.  But it was supposed to be that way?

Bette Midler Yeah.

Johnny Carson Oh, it was very effective.  

Bette Midler Yes, oh, thank you.  

Johnny Carson How are your castanets?  Aren't those castanets?

Bette Midler Yes.

Johnny Carson That's what those are, right?

Ed McMahon [laughing]

Johnny Carson Those are castanets, right?

Bette Midler He's so vile.  

Johnny Carson What are you talking about?  Those have always fascinated me.  

Ed McMahon [laughing]

Bette Midler I've gotten to be an expert at them, actually.

Johnny Carson Yeah, they're not easy to use, are they?

Bette Midler Well, these are not easy to use.  These are Woolworth five-and-dime ones.  

Johnny Carson Well, we don't often get a big castanet number here.

Bette Midler [laughs]

Johnny Carson We make due with what we have.  

Bette Midler That's true.  Alright.  

Johnny Carson How've you been?

Bette Midler I've been very well.  Yes things are moving along very nicely for me.  I'm going to Seattle.  I'm going to do a rock-and-roll opera in Seattle.

Johnny Carson A rock-and-roll opera?  

Bette Midler Yes.  One of the original rock operas, it's called Tommy. [audience applauds]

Johnny Carson Yeah.

Bette Midler Yes.  And I'm going to do my first double role.  

Johnny Carson Your first double role.

Bette Midler Yes, like Maria Montez in Cobra Woman.  

Johnny Carson Maria Montez in Cobra Woman?  Gracie?

Bette Midler Yes.

Johnny Carson That goes back a few years.

Bette Midler Oh, yes.

Johnny Carson Well, you weren't even born when that picture was made.  

Bette Midler No, but I saw it about twelve times.  

Johnny Carson You like the old movies, don't you?

Bette Midler Yes, I do.  I like those movies with strange looking people in them.  

Johnny Carson Yeah.

Bette Midler I mean she was very strange looking, you've got to admit that.  She had shoulders wider than the Hollywood Hills.  People use to dive off her shoulders into the ocean. 

Johnny Carson I didn't know that.

Bette Midler Oh yes.

Johnny Carson Well, it was the costume of the day, wasn't it?

Bette Midler Yes, it was.  But she was sort of, you know what she was? She was sort of the incarnate forties woman.

Johnny Carson Yeah.

Bette Midler You know because she was so exaggerated.  But I liked her very much.

Johnny Carson Was Maria Montez in a lot of pictures with John Hall, or am I thinking of somebody else?

Bette Midler Yes, she was in a lot of pictures with John Hall and Turhan Bey.

Johnny Carson You remember.  You know all these, huh?

Bette Midler Yeah, I know a little bit about it.  I don't know as much as some people.

Johnny Carson Do you ever get the feeling you were born thirty years too late?  

Bette Midler Yes.

Johnny Carson That you would have, I've said this before, that you seem to fit into that era.  

Bette Midler Well, when I see those movies I do.

Johnny Carson Right.

Bette Midler You know, because there are any number of those movies that I could have done, but I'm having a lot of trouble getting movies these days.  

Johnny Carson Have you had any picture offers?

Bette Midler We did that last time.

Johnny Carson We did?

Bette Midler Yes.  I confessed. 

Johnny Carson Sorry, I know I'm here, but I don't know what we do every night.  

Bette Midler I confessed to a couple of stag movie offers.  

Johnny Carson Oh, no no, I don't want to get into that.  But you didn't do them, did you?

Bette Midler No, I didn't do them.  I asked my mother and she told me no.  She said "nice girls."

Johnny Carson Yeah.

Bette Midler "Only when they're married."  That's what she said.

Johnny Carson And you held to that?

Bette Midler I try. [laughs]  I give it a try.  

Johnny Carson That's all one can do.

Bette Midler Yes.

Johnny Carson Do you think morality is changing nowadays?  I mean, or are people just more honest about what they do?

Bette Midler Oh, of course.  Of course, definitely.  

Johnny Carson Yeah.

Bette Midler It's difficult when you have parents that are near by.  

Johnny Carson It's tougher when you don't have parents.  

Bette Midler It's difficult when you have parents who live near you, to be very, you know, open and broad about it.  Some kids manage to do it.  I keep a lot my life a secret from my parents.

Johnny Carson Do you really?

Bette Midler Yes, I do.  Well, I just let them know this minute though, didn't I?  

Johnny Carson Yeah.  Well, what kind of things would you keep secret from your parents?  [audience laughs]  It's alright, nobody's watching.

Bette Midler [laughs] Oh, my bank account, and the boys I go out with, and what their fathers do, and what they do, and if they do anything at all.

Johnny Carson Do you believe in marriage?  A lot of kids nowadays don't believe in marriage.

Bette Midler No.  

Johnny Carson They think marriage in itself is kind of archaic and it'll disappear someday.  

Bette Midler No. Oh no, I don't believe in it.  I can't.  I can't afford it, first of all.   

Johnny Carson No, no, the guy pays. 

Bette Midler No.

Johnny Carson He pays.

Bette Midler They used to.  

Johnny Carson Oh he pays.

Bette Midler Oh, well, you would know. [laughing]

Johnny Carson No, no, I'm just teasing.  But, what do you mean you can't afford to get married?  

Bette Midler Well, see . . .

Johnny Carson If I'm getting too personal . . .

Bette Midler I can't afford, no, I can't afford to get married because I just don't have the time now to give to a husband, or to a family.  And I'd like to have a family, eventually . . . maybe when I'm thirty five . . . maybe.  I don't know, it's a big responsibility.  I'm very flighty and I don't really like that kind of responsibility.  I really don't.  I have enough trouble taking care of myself.  I can barely keep my underwear clean, you know.  [audience laughs]  

Johnny Carson That's not going to get your married too quick either. [audience laughs]

Bette Midler Maybe that's the reason.

Johnny Carson Gotta have clean underwear.  That's Newton's fourth law - I shall have clean underwear.  [audience laughs]  That was Murray Newton, I don't know.  

Bette Midler [laughing] Did he get married?

Johnny Carson No, he sat in his cave.  [audience laughs]  Ahhh, what am I talking about.  Hey, if you could play any role in the motion pictures, go back and take your pick, what would you play?  Maria Montez type of jazz?

Bette Midler No.  No no no.  Because I really, well I get a kick out of that kind of thing, but my head is really . . . I'm very serious about movies.

Johnny Carson I know you are.

Bette Midler About classical movies.  I would like to do, umm, one of those Sadie Thompson pictures.  

Johnny Carson Oh yeah.

Bette Midler I'd like to do a version of Rain.  Somerset Maugham's Rain.  

Johnny Carson Yeah.

Bette Midler They've done that movie about four times.  They did it with Joan Crawford and they did it with Rita Hayworth, which was wonderful, I thought.   

Johnny Carson Yeah, Sadie Thompson.  

Bette Midler Yes, and that character has always fascinated me, and I think that's the character I would like very much to play.  I'm enamored of those sort of women from Shanghai movies, you know, getting on a tramp steamer and going off into the fog, you know.  You know those movies?

Johnny Carson Yeah, I surely do.

Bette Midler Thousands of them.  I love those.  

Johnny Carson You'd like that, eh?

Bette Midler Oh yes.

Johnny Carson You'll probably get a movie offer soon, don't you think?

Bette Midler No . . . ugh . . .

Johnny Carson I mean legitimate. [audience laughs]

Bette Midler What are you suppose to say when somebody asks you that?  If you say yes, that means that the record people don't want ya.  If ya say no, that means the movie people won't call you, because they think you don't want to make movies, you know?  It's very difficult.  I don't know honey.  I'm just waiting.  My day will come, just wait.
  
Johnny Carson As it, as it will.  Okay . . . what is that, see the . . . the eyes are going . . .

Ed McMahon See the ten in one suit.

Johnny Carson Thank you.  See the ten in one . . . well, you're a farthing closer than I am, that's a furlough.


[COMMERCIAL BREAK]


Johnny Carson Do you want to talk about the Academy Awards or something?

Bette Midler Sure.

Johnny Carson Yeah.

Bette Midler It's Academy Award time.  

Johnny Carson Are you going?

Bette Midler Why would I go to the Academy Awards?

Johnny Carson I don't know, you've brought it up.  

Bette Midler It's very unsheek to go to the Academy Awards.

Johnny Carson Oh, it's unsheek?

Bette Midler Oh, of course, everybody who's anybody stays away.  Don't you find?  My friends [laughs] My friends and I, we take bets on which of the nominees aren't going to show up.  

Johnny Carson Who's not going to show up this year?

Bette Midler And who they're going to send in their place.  Well, I don't know who the nominees are.  

Johnny Carson You would not go to the Academy Awards if somebody invited you?

Bette Midler No, I don't think I would. 

Johnny Carson If Rock Hudson came up and says, "Bette, lets go to the Academy Awards," you wouldn't go?

Bette Midler I don't know Rock Hudson, why would I go with him? [audience laughs]

Johnny Carson I don't know.  Who would you go with?  If you had a choice.  

Bette Midler You mean, well . . . lets see, if I were nominated?

Johnny Carson Yes.

Bette Midler If I were nominated, and I had a boyfriend, I'd go with him.  Barandthat, I would probably try and dig up Turhan Bey, or one of those numbers, like that, and go with them, you know.  Bring in an oldie but a goodie.  If D. W. Griffith were alive I'd go with him.

Johnny Carson You would? 

Bette Midler Sure.  And I'd get all dressed up and in very high sort of masquerade and go as someone very famous like Helen Morgan or, you know, one of those old ladies 

Johnny Carson You're really steep in history, aren't you?

Bette Midler Oh, yes, I do try.

Johnny Carson Or you're steep in something, I don't know. [audience laughs]

Bette Midler Don't you find it exciting?

Johnny Carson No . . . 

Bette Midler You don't find it exciting?

Johnny Carson I'm not . . . I mean . . .

Bette Midler You don't go to festivals and all those things?

Johnny Carson No.

Bette Midler No?  

Johnny Carson I haven't been to a festival for . . .

Bette Midler Well, you can come with me next time I go, next time I go to a film festival.

Johnny Carson You said you don't go.

Bette Midler I don't go to awards, I go to festivals though.

Johnny Carson What kind of festivals?

Bette Midler Film festivals, you know, like the ones up in Lincoln Center and the ones at the Museum of Modern Art, and all those.  Everybody goes to those! 

Johnny Carson Have you been to one Ed?

Ed McMahon No, I have not.

Johnny Carson You see.

Bette Midler Well, you may both come the next time we go.  

Johnny Carson What are they showing?

Bette Midler What are they, umm . . . they had a D.W. Griffith retrospective at the Elgin. 

Johnny Carson Yeah.

Bette Midler A couple of weeks ago.  I went to that.  

Johnny Carson You really do follow this, don't you?

Bette Midler Yeah.  That was exhausting though, oh . . . it was exhausting.  A lot of it held up, some of it held up surprisingly well and some of it didn't hold up at all.  I saw Birth of a Nation and it was just terrifying.   

Johnny Carson Yeah?

Bette Midler Oh, I was so, I was like this after I got out of the movie.  I couldn't stand it.  I just hated the movie.  It caused race riots, you know.

Johnny Carson Yes, it did, originally.

Bette Midler When it first came out.  And you know what?  [stamps foot on floor]  I know why!  

Johnny Carson Well, why did it?

Bette Midler Because he took a very strange attitude about race.  

Johnny Carson Yea.

Bette Midler I don't know what he knew.  He was a southerner, you know.  D.W. Griffith was a southerner.

Johnny Carson Yes

Bette Midler And I guess he knew what he was talking about, but . . . you wanna know something funny?

Johnny Carson Yes.

Bette Midler There wasn't a single black person in that movie.  It was about the civil war, and there were no black people in that movie.  There were only white people in black face.  And I found that, that upset me, that offended me.

Johnny Carson Well, I suppose it would now, but I suppose then nobody really thought anything about that at that time.    

Bette Midler No, perhaps not.

Johnny Carson They use to have minstrel shows too, and everybody thought minstrel shows were fine, and nobody thought anything . . .

Bette Midler I know, you know what, I try very hard to reconcile my . . . I try hard to think about it that way, but I can't, it just offends me.  

Johnny Carson Well, I'm sorry.  

Bette Midler Well, that's alright Johnny.  Lets talk about something more cheerful.

Johnny Carson Moving along.  You loose me at times, really.  

Bette Midler Do I?

Johnny Carson Yeah.  Just at times.  

Bette Midler Oh, must be all those pills . . .

Johnny Carson What!  What does that mean Peter?  Peter, what does this mean with the thumb.  Ahh, I didn't know, thought it was that new thing you brought in.  Peter's sitting here going . . . like you're hitchhiking up to the Rainbow Room or something.  I've been in television twenty years, I've never seen this . . . all the other cues I know.  It's time to go over to Ed's place for Steak McMahon with Uncle Bens Rice.


[END OF INTERVIEW]


The following is a segment from Rodney Dangerfield's interview in which Bette had a chance to interact with Rodney.   

Rodney D. How many nights do you work?

Bette Midler Ah, two a week?

Rodney D. Two a week?

Bette Midler Yes.

Rodney D. If you want to work at my club, you know we can work it out.

Bette Midler Really?

Rodney D. If you want to listen to reason we can . . . 

Johnny Carson You pay well, do you?

Rodney D. No, no . . . usually your salary consists of food . . .

Bette Midler Humm . . .

Rodney D. And whatever the people throw.

Bette Midler Ahh, I've been there.  

Johnny Carson You've played those kind of places.  No, it's a nice club.

Rodney D. Yeah, we have a lot of fun there every night and that's what Dangerfields's is, just a place to hang out and have a lot of laughs.

Johnny Carson You never know what's going to happen.

Rodney D. You never know what's going to happen there or here, or anywhere.

Johnny Carson That's life.

Bette Midler I've been in your club nights when the women attack you.

Rodney D. Women attack me?  Where are they now?

Bette Midler I was there one night when some ladies from New Jersey where there, and they kept pulling you.  It was amazing.  

Rodney D. Really?

Bette Midler I couldn't believe it.

Rodney D. When was this?  Where was I?  What condition was I in?  

Bette Midler It was a few months ago.  It wiped me out.  

Rodney D. I wish it would have wiped me out.  

Johnny Carson We have a surprise guest tonight, Maude Frickert, with a whole new bag.


[COMMERCIAL BREAK]


Johnny Carson Welcome back.  We're going to spend the last half hour of the show with Paul Ehrlich tonight.

Rodney D. Excuse me, I was talking with Bette and we want to work something out with the club and everything else, and who knows what it'll lead to, you know.

Johnny Carson It could be a happy romance.

Rodney D. You never know what can happen . . . no no, no, this is just strictly business.

Bette Midler Yes, just business.

Rodney D. So would you mind if we ran along?

Johnny Carson I thank you for coming tonight, both of you.

Rodney D. Yes, it's been a pleasure.

Bette Midler Thank you.

Johnny Carson Thank you darling.  See you at the Academy Awards.


INTERESTING FACTS

This was the first time a special set was built specifically for one of Bette's performances on The Tonight Show.  The set was designed by Merrill Sindler and was called "Merrill Sindler's Revolving Nightmare".  According to fan recollections, the set revolved in a circle and had a staircase climbing up either a volcano or a large cake.

Bette played the castanets while performing "The Continental." 

In the pre-interview paperwork for this episode it is stated that Bette was going to perform "I Shall Be Released" as her second number, but so far there's no evidence that a second number was performed that night.  

Bette stayed on the panel for Rodney Dangerfield's set and interview.  


THE TONIGHT SHOW PAPERWORK

It was with great amazement when it was discovered that the Library Of Congress in Washington, D.C. had papers in their archives for most of the Tonight Show episodes starting from October 17, 1970.  Upon learning this, the paperwork for all of the early episodes featuring Bette Midler were acquired. Since the Johnny Carson people claim these early episodes no longer exist, this paperwork may well be the only record of what took place.  Not only that, but this paperwork also gives insights and extra details into the existing episodes.   


Broadcast Standards


Pre-Interview Page 01


Pre-Interview Page 02


Pre-Interview Page 03


Johnny's Cue Card


The Carson Papers document each night's show and the production material pertaining to guest interviews. Typed index cards contain introductory comments for use by Johnny Carson or a substitute host related to each guest. Linked to these cue cards are typed commentaries prepared by researchers from preliminary interviews with a guest outlining areas of interest to be discussed. Also with the file for each show is a listing of commercials, skits, guests, and network pauses in the sequence they occurred. A "Broadcast Standards Acceptability" report includes the names of guests, the host, sponsors, personalities and commercial products mentioned, and references which were censored and edited.  


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